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O Christ, my craft and the long time it is taking!
Derek Walcott

I carry the weight of your shadow always,
while I pick through your things for the concordance
of your invented icons for this archipelago.
Any announcement of your passing
is premature. So to find my own strength,
I seek out your splendid weaknesses.
Your last poems are free of the bombast
of any gaudy garments, I can see the knobs
of your knees scarred by the surgeon's incisions
to siphon water and blood from bone;
I stare at your naked torso - the teats
hairy, the hint of a barreled beauty
beneath the folding skin. I turn away
as from a mirror. I am sipping your blood,
tapping the aged sap of your days while you grow
pale. You are painting on the beach, this is how
the poem began - I am watching you watching
the painting take shape. I have stared long enough
that I can predict your next stroke - your dip
into palette, your grunts, your contemplative
moments, a poised crane waiting for the right
instance to plunge and make crimson ribbons
on a slow moving river. These islands
give delight, sweet water with berries,
the impossible theologies
of reggae, its metaphysics so right
for the inconstant seasons of sun and muscular
storm - you can hear the shape of a landscape
in the groan of the wind against the breadfruit
fronds. I was jealous when at twenty, I found
a slim volume of poems you had written
before you reached sixteen. It has stitched in me
a strange sense of a lie, as if all this
will be revealed to be dust - as if I learned
to pretend one day, and have yet to be found out.

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